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Selznick School Internship
The L. Jeffrey Selznick School of Film Preservation in cooperation with the Image Permanence Institute has established the Image Permanence Institute Selznick School Internship.
Since the late 1980s, the Image Permanence Institute has focused on developing strategies for the preservation of imaging materials, most notably photographic materials. Work on film has been an integral part of the Image Permanence Institute's research efforts over the years.
The purpose of the Internship is to give a student of merit who is committed to the preservation of moving images the opportunity to acquire practical experience in preservation research, which in turn will support the continued development of leaders in the field of moving image archiving and conservation.
During the 6- to 8-week internship period, the student will become familiar with the research programs, staff, and equipment at the Image Permanence Institute. In addition, the student will work on existing projects or, if appropriate, do research under the guidance of the Image Permanence Institute staff.
Recipients of the Internship
2008, Jennifer Miko
Jennifer Miko has been working with film for more than twenty years. Originally a portrait and documentary photographer and darkroom technician, she expanded her interests to include small gauge motion picture film when she joined the team at Video Transfer Center, in San Francisco. In 2003, the original owner sold the business to Jennifer and her husband, and they have operated it successfully ever since.
Jennifer is a 2008 graduate of The L. Jeffrey Selznick School of Film Preservation. In the summer of 2008, she was awarded an internship at the Image Permanence Institute. During her time there, she developed a project investigating and tracking the evolution of cine-film stocks. Using microscopy, she created a collection of images documenting various film supports and emulsions. The results of her work have enabled the development of a current Image Permanence Institute project entitled Knowing and Preserving Motion Picture Film, a collaborative effort between the Image Permanence Institute and the George Eastman House.
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