July 30, 2020
We are thrilled to introduce our new Research Scientist, Dr. Meredith Sharps. Meredith joined IPI in June after a postdoctoral fellowship at the Smithsonian Institution’s Museum Conservation Institute, where she conducted collections-based research in the microanalysis laboratory. Meredith has a PhD in chemistry from the University of Oregon, where she gained experience in a variety of material characterization methods while studying nanomaterials used in lithography applications. Her position at IPI includes managing the operation of IPI’s testing services and performing research related to materials used for the storage, transport, and display of cultural heritage collections.
The Image Permanence Institute (IPI) is looking for an early career researcher to join the team as Postdoctoral Researcher. This 30-month postdoctoral position offers the opportunity to gain experience of applied materials characterization and data analytics within the cultural heritage field.
The Image Permanence Institute received a National Leadership Grant for Museums from the Institute of Museum and Library Services in the amount of $711,598 to support a three-year research project that will study the relationship between equilibrium moisture content (EMC) and the physical stability of plastics and plastic composite artifacts found in museums.
This month, IPI is completing the first year of a three-year research project aimed at building a foundational understanding of how museums are creating, collecting, and consuming 3D printed objects. In May and June of 2022, project work included an online survey assessing how collecting institutions are using 3D printing and interacting with 3D printed objects and materials across a broad range of activities.
IPI is pleased to announce the publication of the Second Edition of the Royal Society of Chemistry’s Conservation Science: Heritage Materials, co-edited by our Director of Research, Emma J Richardson. To achieve greatest impact, conservation science requires close collaboration with key stakeholders such as conservators, curators, artists and the public, providing context for scientific analysis and ensuring critical questions are addressed.